Tohtoriopiskelija Jon Irigoyen: Mobile Carnival (2020)
Taiteilija ja tutkija Jon Irigoyen loi New Performance Turku -festivaaleille audiovisuaalisen teoksen joka valaisi Turun pimeneviä katuja.
Taide
Tällä sivulla esittelemme taiteen laitoksen henkilökunnan, opiskelijoiden ja alumneiden taideteoksia, taiteellisia projekteja, kuratoimia näyttelyitä sekä julkaisuja.
Tohtoriopiskelija Severi Virolainen: Shapes in Action (2020)
Animaatio perustuu tohtoritutkimukseni ABA-kuusikulmioihin, joita animaatiossa on kahdessa kehittyvässä kerroksessa.
Lehtori Andy Best & Merja Puustinen: Strange Fruit (2019)
Strange Fruit koostuu kolmesta puhallettavasta veistoksesta.
Tohtoriopiskelija Agnieszka Karasch: DYSHOMEOSTASIS (2019)
Agnieszka Karaschin and Sophia Hörmannin visuaalinen performanssi
University Teacher Sini Vihma: Nimetön (2018)
Tavoitteeni maalaamisessa on aistittavissa olevan sisällön luominen, oman tunteeni ja maalauksen ulkoasun kohtaaminen.
Tohtoriopiskelija Marie-Andrée Godin: (Im)possible Labor – WWW³ (WORLD WIDE WEB/ WILD WO.MEN WITCHES/ WORLD WITHOUT WORK) (2017– )
(Im)possible Labor is part of a research cycle on feminism, magic and post-capitalism. Initiated in 2017, the cycle is called WWW³ (WORLD WIDE WEB / WILD WO.MEN WITCHES/ WORLD WITHOUT WORK). The aims is to think collectively about our future(s). Through a corpus of installation and performance, as well as socially engaged artistic practices, this research asks the following questions: What links can we weave between magic and post-capitalism? Are we capable of imagining an "exit" from capitalism and putting it into action? How can art, magic and politics be understood in the same way, as creative actions? Evoking both domesticity and laborious work (Im)possible Labor is imagined as a space of circulation for ideas regarding women’s work — invisible, domestic, care, reproductive labor — post-capitalism, post-work, feminist economics, wages for housework, universal basic income and magic as creative action. Highlighting the various connections between witchcraft, handicraft, domesticity and politics, the exhibition proposes the inclusion of certain craft techniques, namely weaving and tapestry. Aiming at an appropriation of skills and knowledge endangered by capitalism, this inclusion raises questions relating to the real or imagined opposition of craftwork and labor work, private and public, as well as production and reproduction work. During the exhibition(s) both formal and informal discussions were held in the installation in order to activate the sharing and the space.
Julkaisut
On the Philosophy of Central European Art Published by Rowman & Littlefield's Lexington Books
Senior University Lecturer Max Ryynänen's book is an introduction to the history of the concept and the institution of (fine) art, from its ancient Southern European roots to the establishment of the modern system of the arts in eighteenth century Central Europe.
Art As We Don't Know It (2020)
2018 marked the 10th anniversary of the Bioart Society and created the impetus for the publication of Art as We Don’t Know It. For this publication, the Bioart Society joined forces with the School of Arts, Design and Architecture of the Aalto University.
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